CONSEQUENCE

THE EVOLVING RELATIONSHIPS BETWEEN NATURE, MAN AND TECHNOLOGY

The concept behind Consequence (2012) questions the metaphysical theme of the ever-evolving relationships found between Nature, Man and Technology.

Arques was inspired by the evolution of the philosophical concept of the ‘Sublime’, ranging from Burke to Kant and beyond. Romanticism suggested that Nature was more significant than anything humans could create, comprehend or overpower. This sense of awe soon turned into a form of terror motivated by Nature’s enormity.

A recent personal experience, as well as the catastrophes that took place in Japan (2011) aided Arques’s overall concept and movement language, communicating ‘control versus chaos’ as a pivotal dialogue.

The work is divided into three sections – the 1st representing Nature, inspired by the ‘Dynamic Sublime’, where devastating forces are considered; the 2nd, Human Strength, where the fallout on mankind is discussed; and the final section, Technology, which questions the tussle between human (intellectual) creation and its consequences.

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'Arqués's 'Consequence' brought Wayne McGregor to mind with his writhing, highly articulate style and minimalist design choices, but his work feels more human and, for such a young choreographer - he's 34 - is quite promising'

— Laura Cappelle for Financial Times

"Dan liever het prille zoeken van Juanjo Arques, die in Consequence uiteenlopende sferen schilder, met een geladen duet als hoogtepunt"

— Francine van der Wiel for NRC

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Choreography Juanjo Arqués
Music Alva Noto & Ryuichi Sakamoto, Jóhann Jóhannsson Set Keso Dekker Costumes Oliver Haller
Lights Bert Dalhuysen
Assistant Heidi Vierthaler
Company Dutch National Opera and Ballet World première February 2012 - Amsterdam, Netherlands.

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